Born October 1965, in North Somerset, UK.
Living and working in Finistere, France since 2007.

selected solo shows

10 2021 – Le Lavo//Matik Galerie, Paris, France
03 2021 – Galerie Cartel, Strasbourg, France
10 2020 – MAUSA Vauban, Neuf-Brisach, France
09 2020 – Galerie Brugier-Rigail, Paris, France
04 2020 – Le Lavo//Matik Galerie, Paris, France
03 2019 – La Neomudejar de Atocha, Madrid, Spain
11 2018 – La Feuillee, Finistere, France
10 2017 – Box Galleries, London, UK
01 2017 – Hartlepool Art Gallery, Hartlepool, UK
02 2016 – La Neomudejar de Atocha, Madrid, Spain
11 2015 – Galerie Brugier-Rigail, Paris, France
09 2015 – Maison de la Fontaine, Brest, France
04 2015 – Pretty Portal, Düsseldorf, Germany
03 2015 – Maison pour tous, Chateaulin, France
05 2014 – Galerie Brugier-Rigail, Paris, France
04 2013 – Raison d’Art, Lille, France
10 2012 – Signal Gallery, London, UK
09 2011 – Brooklynite Gallerys, New York, US
05 2011 – MAGI’900 Museo, Bologna, Italy
09 2010 – St Martin in the Fields, London, UK
08 2009 – Carmichael Gallery, Los Angeles, US
03 2009 – Signal Gallery, London, UK
11 2008 – Vyner Street Gallery, London, UK
11 2007 – Red Propeller Gallery, Kingsbridge, UK
01 2005 – Tobacco Factory, Bristol, UK
11 2003 – Lauderdale House, London, UK
08 2002 – Concrete Arts, Bristol, UK
03 2001 – the cube microplex, Bristol, UK
05 1998 – Roundtower Gallery, Frome, UK
12 1994 – Artsite, Midsomer Norton, UK

selected group shows

04 2023 – Revolting Artists, Weymouth, UK
10 2022 – BSMT Space, London, UK
11 2021 – Pretty Portal Gallery, Düsseldorf, Germany
09 2021 – Le Spote, Brest, France
11 2019 – UrbanArt Biennale – Völklingen, Germany
09 2019 – BSMT Space, London, UK
07 2018 – MAUSA Vauban, Neuf-Brisach, France
05 2018 – Galerie Brugier-Rigail, Paris, France
02 2018 – Tales of Art Gallery, Imola, Italy
12 2017 – Pretty Portal Gallery, Düsseldorf, Germany
11 2017 – Le Lavo//Matik Galerie, Paris, France
09 2017 – The Fan Museum, London, UK
03 2017 – Raison d’Art, Lille, France
07 2016 – Box Galleries, London, UK
11 2015 – UNICEF at COP21, Paris, France
10 2015 – Raison d’Art, Lille, France
09 2015 – MDM Museum, Sardinia, Italy
09 2015 – Ben Oakley Gallery, London. UK
07 2015 – Upfest, Bristol, UK
06 2015 – PDP Gallery, London, UK
03 2015 – Traffic Gallery, Bergamo, Italy
12 2014 – 999-contemporary, Rome, Italy
12 2014 – Galerie Maison Dauphine, Aix-en-Provence, France
02 2014 – Galerie Phoenix, Cologne, Germany
10 2013 – Ben Oakley Gallery, London, UK
10 2013 – Tour Paris 13, Galerie Itinerrance, Paris, France
07 2013 – Les Capucins, Brest, France
06 2013 – Sand, Sea and Spray, Blackpool, UK
06 2013 – Pretty Portal, Düsseldorf, Germany
06 2013 – 999-contemporary, Rome, Italy
03 2013 – Les Stèles, Morlaix, France
03 2012 – Able & Baker Gallery, Cologne, Germany
02 2012 – Cerritos Gallery, Los Angeles, US
02 2012 – Signal Gallery, London, UK
12 2011 – East Gallery, London, UK
06 2011 – Signal Gallery, London, UK
04 2011 – Crimes of Mind, Brest, France
01 2011 – Carmichael Gallery, Los Angeles, US
06 2010 – Brooklynite Gallery, New York, US
11 2009 – Blackall Studios, London, UK
06 2009 – Upfest, Bristol, UK
02 2009 – Mauger Modern, Bath, UK
12 2008 – Raison d’art, Lille, France
12 2007 – “12 days of xmas” pop-up, Bristol, UK
05 2007 – Rostra Gallery, Bath, UK
10 2006 – John Moores University, Liverpool, UK
05 2005 – Artfile, Oxfordshire, UK
01 2004 – Blue Wing Gallery, Richmond, UK
05 2003 – Brighton Festival, UK
09 2002 – Salamander Gallery, Westerham, UK
06 2002 – Art in Mental Health (touring exhibition), UK
01 2001 – Language, cube microplex, Bristol, UK
11 1995 – RWA Open, Bristol, UK
02 1994 – Zip C.A. Sheffield, UK
09 1993 – Cold Bath Gallery, Farmborough, UK
08 1992 – A for, Reading, UK
08 1992 – Royal United Hospital, Bath, UK

work in institutional collections

Bath Royal United Hospital NHS Trust, Bath, UK
Espace muséographique Victor Schœlcher, Fessenheim,
Hartlepool Art Gallery, Hartlepool, UK
La Ville de Fessenheim, France
La Neomudejar de Atocha Centro de Artes, Madrid, Spain
MAGI’900 Museo, Bologna, Italy
Musée des Beaux-Arts de Brest, Brest, France
Musée d’Art Urbain et du StreetArt (MAUSA), Jura, France
Political Science Department, Galway University, Eire
Politics Department, Bristol University, UK
Thomas Chatterton Society, Bristol, UK
UK Pituitary Foundation, Bristol, UK


Cris – Laurent Gaudé/Les Atelieres d’ACTES SUD (France)
Street Art Europe & Graffiti – Editions Gallimard (France)
TOUR PARIS 13 – Albin Michel/Galerie Itinerance (France)
The Party Is Over – Brugier-Rigail/Raison d’Art (France)
Occupy Comics – black mask, 2014 (US)
The Art Album – art on dekz, 2013 (US)
Vitry Ville Street Art – criteres editions, 2013 (France)
Crimes of Mind – criteres editions, 2013 (France)
UPFEST – tangent books, 2012 (UK)
Guy Denning, Dante’s Inferno  – MAGI900, 2011 (Italy)


Graffiti Art Magazine – December 2021 (France)
France 3 – June 2021 (France)
l’Alsace – June 2021 (France)
France 3 – October 2020 (France)
Ouest-France – June 2019 (France)
ABC News interview – November 2018 (Australia)
Ouest-France – November 2018 (France)
METRO – July 2018 (UK)
France.TV (culture box) – July 2018 (France)
l’Alsace – July 2018 (France)
le Télégramme – June 2018 (France)
WideWalls – December 2017
STUART street art magazine – February 2017 (France)
WideWalls – November 2016
Ouest-France – March 2016 (France)
Ouest-France – October 2015 (France)
le Télégramme – August 2015 (France)
le Télégramme – March 2015 (France)
FRANCE 24 TV interview (France)
L’Itinérant  – May 2014 (France)
Kölner Stadtanzei  – February 2014 (Germany)
MIROIR DE L’ART  – February 2014 (France)
TIME Magazine – The Cat Show – January 2014 (US)
le Monde online – Tour Paris 13 project – October 2013 (France)
Guardian online – Tour Paris 13 project – October 2013 (UK)
Rooms magazine – Ray Richardson and Guy Denning – October 2013 (UK)
Ouest France  – July 2013 (France)
BBC NorthWest – Sand, Sea and Spray feature – June 2013 (UK)
Le Ring TV programme, TV France Ô  – May 2013 (France)
dialoguetalk.org – edited audio interview – April 2013 (US)
MIROIR DE L’ART  – March 2013 (France)
Le Télégramme  – March 2013 (France)
Independent online – “Paradiso” show feature – October 2012 (UK)
Graffiti All Stars  – July 2012 (France)
DAZED digital – “We are all prostitutes” show feature – January 2012 (UK)
20 minutos feature on Occupy protest drawings  – November 2011 (Spain)
Le Télégramme  – September 2011 (France)
BFM  TV interview – September 2011 (France)
Ouest France  – April 2011 (France)
HI-FRUCTOSE magazine – interview with Lauren Quinn – January 2011 (US)
Le Télégramme  – August 2010 (France)
Independent online – “Behemoth” show feature – August 2010 (UK)
The Village Voice – June 2010 (US)
Art Street Journal – August 2009 (US)
Art of England  – April 2009 (UK)
JUXTAPOZ – “ad-nausea” show feature – March 2009 (US)
Art of England  – March 2009 (UK)
Bath Chronicle  – February 2009 (UK)
Geometer magazine  – January 2009 (UK)
BBC online – Urban art awards – December 2008 (UK)
Guardian online – Vyner Street show – December 2008 (UK)
Independent online – Urban Art auction feature – December 2008  (UK)
Morning Star  – February 2008 (UK)
Le Poher  – December 2007 (France)
Venue Magazine  – January 2005 (UK)
Bristol Evening Post – February 2004 (UK)
Out of Hand  – March 2003 (UK)
BBC online – September 2002 (UK)
Somerset Guardian  – December 1994 (UK)


from  WideWalls magazine 2017

Guy Denning was born in North Somerset in 1965. He has been obsessed with visual art since childhood and started painting in oils at the age of eleven after receiving a set of old paints from a relative that had grown bored with them. Through the 1980s, he was repeatedly unsuccessful in his applications to study painting at degree level, but continued creating and learning the technical aspects of oil painting from more experienced painters that he knew in Somerset. He continued to study Art History and received his degree from The Open University.
Denning had various jobs from the age of 20, to support his family, while continuing to paint. Since he grew up in a Somerset village outside Bristol and saw the local rural economy crumble throughout the 1980s, he has been interested in responding to society in one type of political narrative or another.
With his discovery in 1980 of the bands CRASS, The Dead Kennedys and Poison Girls, Denning associated himself with the second wave of punk and saw the light in terms of street art. Following the stenciled text aesthetic and anarchist politics of the band CRASS, and the photo-montage vision of artist Gee Vaucher, Denning started peppering west-country towns with his particular paste-up style and sometimes surreal political messaging. In a time when graffiti was generally defined by a US styled, hip-hop inspired vision Denning would frequently challenge what seemed to him then as a style with little political content. His preferred attack was to simply stencil the word “WHY?” next to this ‘traditional’ graffiti that he found when carrying his paint and stencils.
In his college applications he was told that he needed to move away from his overtly figurative style and to be more subtle in regards to how he confronted politics as a subject matter. He was too literal, they said, and too ferocious. His crudely photocopied paste-ups were declared too graphic, the subject matter was inappropriate for fine art and photocopying was not considered a legitimate art printing method. He was also surprised and not a little angry that his distinct Somerset accent became the subject of conversation at one of these interviews.
Instead of listening, he refined his technique. Instead of giving up, he learned to become resilient, disciplined, focused. So, to conclude: Guy Denning had no choice; he taught himself how to be an artist.
Denning has an impressive but unorthodox affinity with mixing media and techniques together. Stencils, spray cans, brushwork, dripping paint, crayons, gold-leaf, marker pen and conté pastel… Some pieces drawn on mid-toned paper, newsprint or torn packing card that give them an expressive economy. The mid tones are already there, which means he can focus his powerful and deceptively simple draughtsmanship all the more on the contrast and highlights added in black and white.
With his painting Denning uses not only powerful brush strokes to express himself but also scratches and tears the paint and surface to an extent where he has had to crudely stitch it back together. He frequently adds stenciled and collaged text to oil paintings.
He has been invited to work on a variety of community urban art projects where he has developed a distinctive style that builds images from drawing and text.
In 2010, Denning presented 30 paintings based on stills from 1928 film “La Passion de Jeanne d’Arc”, tackling historical political machinations, at the London exhibition titled “Behemoth”.
In 2011 he presented “Inferno”, the first part of his three-part series of oil paintings on Dante’s Commedia in Bologna; this was his first exhibition in Italy and the complete exhibition sold out.
In 2011, he presented the second part of the series in New York City for the exhibition “Purgatorio”. Originally drawing inspiration from Dante’s writings, his intention was not to recreate the poem in a visual or literal sense, but instead let the “Purgatorio” series act as a framework for his own personal interpretation of the world following 9/11. As with the writing of Shakespeare, Denning finds a perpetual relevance in Dante’s work where the specifics of name, situation and place are easily adapted to the modern world; as if time moves on but the problems of humanity remain essentially the same. The events of September 11th and the emotional toll it took on the US identity was a critical element to this body of work. Poignantly enough, this exhibition was held in a ‘pop-up’ location just blocks from Ground Zero and on the 10th Anniversary of the 9/11 attacks.
His 2015 show in Paris, coinciding with the COP21 climate talks, was aptly named “The Party is Over” and it focused on our belonging to the last generation enjoying an abundance of natural resources, with future generations having to mop up the mess after our hangover. It was a gallery exhibition following a year where Denning had been pasting up his “Paradis est ici” angel drawings worldwide and talking to groups of students to bring greater attention to the COP21 talks.
In February 2016, Denning had his most recent solo exhibition at La Neomudejar de Atocha in Madrid. The show continued his exploration of political and environmental issues through a series of artworks depicting angels, refugees and portraits related to the recent COP21 event in Paris; all created in his dark, dramatic, even Baroque, style. With nods to the work of one of his main painting heroes, Francisco Goya, Denning’s work was very well received by his first Spanish audience and a piece entered the museum’s permanent collection.
Guy Denning is an unbelievable blend of talent, intelligence and sheer courage. The fact he is mostly self-educated only brings more admiration to his portfolio. Not many street artists reach the heights that Denning has, let alone simultaneously cross the borders into contemporary, urban and fine art whilst referencing the grand tradition of European pre-Modernist painting.
His work is also held in several other public collections, including the Politics Department of Bristol University, the Political Science Department at Galway University, the MAGI’900 Museum of Contemporary Art, Bologna and the Musée des Beaux-Arts de Brest.
Since 2007 Guy Denning has lived, and continues to work, in Finistere, France.


“Quite a few people out there could learn a thing or two from him. You only have to spend a couple of days with Guy Denning to feel his passion for what he does… and he does it very fucking well in my book. ”


“There is a rebellious and defiant attitude to Guy Denning’s work”


“One of the most important painters on the Urban Art scene right now”


“Denning’s dark portraits of anguish and violence create a tension so rife that it seemingly engulfs the viewer”


“A laser sharp observation of our age and its absurdity”


“Stark to the heart and alarming to the eye, Denning perfectly paints the human invention of failure”


“Guy Denning has made a career out of complicating his own search for a metamodernist realism capable of undermining modernist optimism without succumbing to postmodernist cynicism.”