Brest Post Office interior prior to demolition, 2021.
The entrance to the apartment I was given.
The ‘Welsh’ streets in Liverpool, UK
the writing on the wall, Bristol
Mon Coeur Beau saying “Hello”…
‘Mon CoeurBeau’, Vitry
disused church, Brest, France
Portrait of Nathalie Lemel in a collaborative mural with Shoof. Brest, France
Les Capucins, Brest, France
small acts of disobedience
St Brieuc paste-up, France
Paris, France
La fete est finie, Paris
MAUSA Vauban, Alsace
shutters, Strasbourg, France
Bristol 2019 for UPFEST summer editions
Brest, France. Done with permission and a helmet.
Some stencils made in the 80s are just as relevant 30 years later
Keep Calm. Carrion…
This is how it starts
The first stencils I started with in the early 80s – always being re-cut for use again.
rue du paradis
Watford, UK
Paris, France
Manhattan, US
Part of my contribution to the Tour 13 urban art project in Paris.
Paste-up drawing in Rue Volta, Paris. It’s only paper – it’ll disappear in time.
projet 00
First of a pair of stencilled paste-ups for New York. In recognition of the lives lost there in 2001 – and consequently in Fallujah in 2004.
St Brieuc, France 2020
Brick Lane area London, UK
Two and a half metre wide paste-up drawing.
Spraying up a storm at Bristol’s UPFEST urban art festival.
Warsaw, Poland
Tour 13 project, Paris, France
The first of the Mon Coeur Beau crows – painted on a wall in Vitry, Paris, France.
One of the ‘Descent of man’ paste-ups for Brest, France. Done to bring more awareness to issues of climate change and the impending COP21 conference later that year.
Brest, France
Victor Schœlcher mural in Fessenheim
Melbourne, Australia
Brooklyn, New York – 2010
Art against war at the Place de la République in Paris following the terror attacks of 2015.
Conte and chalk drawing on brown paper – ready for pasting up…
les Capucins, Brest, France
nuart aberdeen 2021 paste-up
A hidden “Mon Coeur Beau” spray up in Brest.
Armand Robin. Anarchist, pacifist poet of Brittany. Brest, France
Not all 80s graffiti was about hip-hop…
paste-up prior to building demolition
Mon Coeur Beau… Paris
Brest, France
Four metres wide, free public art, in Les Capucins, Brest.
Paris paste-up and stencil frenzy. 2019
UPFEST Bristol 2018
Morlaix, France
Paris, temporary… prior to demolition…
Nathalie Lemel was an anarchist, born in Brest in 1827. A militant social activist and trade-unionist. These are the people that need to be remembered.
Portrait of Jack Kerouac, Finistere, March 2022
‘Bella Ciao’, Paris
Brest, France
More, more, more…
It’s a 2001/Oscar Wilde shandy. I’m sorry Dave…
Paris, 2017
Old words, same problems now.
The old ones are the best ones.
Lodz, Poland
Brest, France
The other one of the two La Carène drawings in the studio.
Bristol musician Adrian Thaws – or Tricky… on a wall for UPFEST urban art festival.
portrait of Tara Houska, Bristol
Free art… empty, painted can drop in Brest.
Following some election or other… Paste-up in London.
Finished wall piece in Lodz, Poland. It was painted over about six months after. Never mind – a new blank street canvas.
Oxton, UK
Paradis est ici in France. Paradise is here in Bristol. UPFEST 2015.
paste-up drawing, Brest
the blame game
The old school project
Paris – pornography for plutocrats paste-up
Save them, don’t kill them.
paste-up drawing, Paris
Chateaulin, France.
A week’s work that was all lost when the building was demolished a month or so after the public left the building.
Brest, France
Painted in the 80s in english… and in french 30 years later
Stencilled signature.
What turns on a plutocrat? Finance pages of course… Paste-up piece.
If we don’t change the way we live and our entire economic system then this could be our future… Deep-sea window-shopping in Brest, France.
Second of the pair of stencilled paste-ups for New York. With words from William Blake split between the pair. “Can I see another’s woe,. And not be in sorrow too? Can I see another’s grief,. And not seek for kind relief?”
Compressed charcoal – not spray-paint.
paste-up in Paris
La Carène music venue in Brest allowed me to paste up more work to address the issues of climate change.
‘Flowers of Romance’
I don’t care if it’s obvious. I don’t care if it’s not fashionable in art. It needs saying.