selected street work

UPFEST Bristol 2018

Portrait of Jack Kerouac, Finistere, March 2022

Brest, France

shutters, Strasbourg, France

Bristol musician Adrian Thaws – or Tricky… on a wall for UPFEST urban art festival.

Paradis est ici in France. Paradise is here in Bristol. UPFEST 2015.

Four metres wide, free public art, in Les Capucins, Brest.

les Capucins, Brest, France

Watford, UK

protest banners

Finished wall piece in Lodz, Poland. It was painted over about six months after. Never mind – a new blank street canvas.

Brest, France

Brest Post Office interior prior to demolition, 2021.

La fete est finie, Paris

Paste-up drawing in Rue Volta, Paris. It’s only paper – it’ll disappear in time.

A week’s work that was all lost when the building was demolished a month or so after the public left the building.

Helene Berr paste-up, Paris

A hidden “Mon Coeur Beau” spray up in Brest.

Paris – pornography for plutocrats paste-up

The other one of the two La Carène drawings in the studio.

More, more, more…

It’s a 2001/Oscar Wilde shandy. I’m sorry Dave…

Bristol 2019 for UPFEST summer editions

Chateaulin, France.

Part of my contribution to the Tour 13 urban art project in Paris.

Paris, France

‘Bella Ciao’, Paris

La Carène music venue in Brest allowed me to paste up more work to address the issues of climate change.

MAUSA Vauban, Alsace

St Brieuc, France 2020

Brooklyn, New York – 2010

Free art… empty, painted can drop in Brest.

MAUSA Vauban, France

The old ones are the best ones.

Conte and chalk drawing on brown paper – ready for pasting up…

Brest, France. Done with permission and a helmet.

Second of the pair of stencilled paste-ups for New York. With words from William Blake split between the pair. “Can I see another’s woe,. And not be in sorrow too? Can I see another’s grief,. And not seek for kind relief?”

paste-up drawing, Brest

disused church, Brest, France

If we don’t change the way we live and our entire economic system then this could be our future… Deep-sea window-shopping in Brest, France.

Two and a half metre wide paste-up drawing.

What turns on a plutocrat? Finance pages of course… Paste-up piece.

Paris paste-up and stencil frenzy. 2019

Brest, France

Mon Coeur Beau saying “Hello”…

The first stencils I started with in the early 80s – always being re-cut for use again.

Keep Calm. Carrion…

Some stencils made in the 80s are just as relevant 30 years later

portrait of Tara Houska, Bristol

‘Flowers of Romance’

I don’t care if it’s obvious. I don’t care if it’s not fashionable in art. It needs saying.

keep it tidy

Art against war at the Place de la République in Paris following the terror attacks of 2015.

‘Mon CoeurBeau’, Vitry

Oxton, UK

Old words, same problems now.

Stencilled signature.

projet 00

Brooklyn, NY

Dusselfdorf, Germany

Spraying up a storm at Bristol’s UPFEST urban art festival.

Manhattan, US

Brick Lane area London, UK

Melbourne, Australia

Brooklyn, US

Portrait of Nathalie Lemel in a collaborative mural with Shoof. Brest, France

Lodz, Poland

Armand Robin. Anarchist, pacifist poet of Brittany. Brest, France

Victor Schœlcher mural in Fessenheim

Paris, temporary… prior to demolition…

rue du paradis

Save them, don’t kill them.

First of a pair of stencilled paste-ups for New York. In recognition of the lives lost there in 2001 – and consequently in Fallujah in 2004.

Pasted. Falling angels. Brest, France.

Warsaw, Poland

Nathalie Lemel was an anarchist, born in Brest in 1827. A militant social activist and trade-unionist. These are the people that need to be remembered.

This is how it starts

the blame game

Brest, France

small acts of disobedience

The old school project

paste-up prior to building demolition

Brest, France

Tour 13 project, Paris, France

Paris, France

Morlaix, France

One of the ‘Descent of man’ paste-ups for Brest, France. Done to bring more awareness to issues of climate change and the impending COP21 conference later that year.